BOSS celebrates 40 years of tone-shaping by teaming up with JHS to create the JB-2 Angry Driver. This versatile pedal packs the tones of the BOSS BD-2 Blues Driver and JHS Angry Charlie into a single BOSS-style housing. Three dual-concentric knobs provide independent Drive, Tone, and Level control for each voice, while a six-position mode selector dials in each overdrive independently or combines them in series and parallel configurations. Whether you use the Blues Driver to propel the Angry Charlie’s aggressive voice into saturation, reverse the order to push the Blues Driver into a muscular crunch, or experiment with innovative new sounds, there are an endless array of tones inside of the JB-2 Angry Driver.
BOSS BD-2 Blues Driver supplies smooth overdrive
The BOSS BD-2 Blues Driver simulates the sound of a vintage tube amplifier — a killer creamy yet crunchy tonal blend. It’s like having a finely-aged vintage tube amplifier in your rig. If you’re playing blues, or if you’re wanting to give your rock rig a different overdriven flavor than every other guitar player on the block, you’ll love the warm overdrive and emotive distortion the Blues Driver adds to your rig.
HS Angry Charlie delivers hot-rodded high-gain
The JHS Angry Charlie captures the essence of British tone, turning your guitar amp into a sonic flamethrower. The Angry Charlie makes conjuring high-gain tones a breeze, delivering the rich bass response, thick mids, and balanced high end you’d expect from a hot-rodded British stack. When they designed the Angry Charlie, JHS faithfully replicated a full British-style tone stack.
Put them together for an endless array of tones
JHS Pedals founder Josh Scott is a longtime admirer of the BOSS Blues Driver, and even credits the classic overdrive pedal with sparking his interest in stompbox building. So when the opportunity arose to collaborate with BOSS President Yoshi Ikegami, he was absolutely stoked. The two passionate pedal designers experimented with endless combinations of stompboxes, and BOSS’s Blues Driver and JHS’s Angry Charlie were the clear winners. Since the Blues Driver covers low gain so well, it acts as the perfect complement to the Angry Charlie’s high-gain tones. At Sweetwater, we love stacking overdrives — it provides a multitude of different shadings and textures — and we’ve found the JB-2 to be a match made in tonal heaven.